Boo Hags, Their Origins, and How to Avoid Them

Author: Nabal Blight

Most people have heard of vampires and witches, but have you heard of the infamous “boo hag?”  Boo hags are demonic creatures that exhibit both witch-like and vampire-like attributes.  Because they are skinless, boo hags steal the skin of human beings and wear it during the day as their own in order to pass undetected (“The Boo Hags of Gullah Culture”).  Consequently, in daylight, boo hags cannot be distinguished from normal people.  However, at night, boo hags shed their stolen skin and fly through the night, preying on hapless human beings.  At night, boo hags appear as skinless, bloody human figures with exposed veins and muscles, wild hair, and glowing eyes, or else they are invisible, detectable only by the humid, foul odor they carry with them (“Boo Hags & Haint Blue”; “The Boo Hags of Gullah Culture”).  During their nocturnal raids, boo hags slip into houses where they “ride” sleeping human beings, stealing their breath or life energy (“The Boo Hags of Gullah Culture”).  If a boo hag’s victim awakes while their breath is being stolen, the boo hag will steal the person’s skin as their next outfit (“Boo Hags & Haint Blue”).  However, if the victim stays asleep, the boo hag usually leaves them alive, in which case the person will wake up in the morning exhausted, despite having slept all night, because their energy has been sapped by the boo hag (“Boo Hags & Haint Blue”). 

“The Terrifying Skinless Witches of The American Southeast” (James Troup) 

The belief in boo hags originates from the culture of the Gullah people, an African American ethnic group from the coastal regions of South Carolina.  Gullah beliefs are closely connected to Hoodoo and emphasize the existence of various types of spirits called “haints.”  According to these beliefs, human beings have a soul, which goes either to heaven or hell at death, and a spirit, which remains on the earth (Carman; “The Boo Hags of Gullah Culture”).  If a person has lived a moral life, the spirit, or haint, they leave behind will be beneficent, whereas, if the person has lived an evil life, their haint will become a boo hag (“The Boo Hags of Gullah Culture”). 

While they are powerful, terrifying, and crafty, boo hags do have certain weaknesses whereby they can be warded off or destroyed.  Gullah tradition maintains that boo hags cannot survive in daylight without a borrowed skin (“The Boo Hags of Gullah Culture”).  Because of this, the best way to defeat a boo hag is to distract it while skinless until the sun comes up and destroys it.  Boo hags can be distracted by placing objects in their path that represent large numbers, because their compulsive nature will cause them to count the objects endlessly (“The Boo Hags of Gullah Culture”).  For example, setting a broom or brush on a bedroom floor will divert the attention of an intruding boo hag from the room’s occupant to counting the bristles of the brush or broom (“The Boo Hags of Gullah Culture”).  Other objects that can be used to distract boo hags are strainers or piles of rice or seeds (“The Boo Hags of Gullah Culture”; Carman).  Boo hags are also susceptible to salt or pepper.  Strewing salt on a floor or filling a Hag’s abandoned skin with salt or pepper will sabotage the boo hag’s stolen skin, preventing the hag from reentering its skin (“The Boo Hags of Gullah Culture”; Carman).  Another method is to hang empty blue glass bottles outside from a tree or frame, forming a “bottle tree.”  At night, boo hags enter the bottles and become trapped until the sun comes up and kills them inside (Parks).

Allegedly the most reliable way to deter boo hags and other evil spirits involves a special hue of blue paint, called “Haint Blue.” This specific color of blue paint originates from the South Carolina indigo dye industry of the 1700s, which depended on the slave labor of African Americans, especially the Gullah (Parks).

Indigo-colored Yarn from the Indigofera suffruticosa Plant (Judy Newland)

The Gullah were tasked with growing, harvesting, and processing the indigo plants to extract their rich blue dye, which was then exported from South Carolina to Britain.  After processing the dye, the Gullah would take the dregs of the dying vats and mix them with other ingredients to form a light aqua blue paint (Carman; Parks).  This light blue color came to be known as “Haint Blue.”  Gullah beliefs place a special significance on the color blue, and according to these beliefs, painting the exterior of a house in Haint Blue wards of evil spirits, including boo hags (Parks; Carman).  This is because boo hags are said to perceive the pale blue color either as water, which they cannot cross, or sky, which causes them to fly past the house (Parks; Carman).  Gullah traditions regarding haints and boo hags and the countermeasures that can be taken against them are still strong in certain regions of South Carolina.  As a result, many houses can still be seen along the South Carolina coast that have porches or window frames painted in Haint Blue.

Whether or not you believe in boo hags, these elusive and dangerous spirits and the Gullah beliefs regarding their behavior serve as a powerful lesson: one should not take everything at face value.  The next time you see the porch of a house painted blue or see bottles hanging from a tree, consider the possibility these things might not be intended as décor, and if you meet a stranger in the street, greet them politely and hurry on, because there might be more about them than is apparent. 

Works Cited:

“Boo Hags & Haint Blue: Vampires of the Lowcountry & the Paint that Stops Them.” Charleston Terrors, https://charlestonterrors.com/boo-hags-haint-blue-vampires-of-the-lowcountry-the-paint-that-stops-them/. Accessed 14 Oct. 2022.

Carman, Katie. “The Gullah Geechee Tradition of 'Haint Blue' Paint Keeps the Spirits Away.” HowStuffWorks, 27 May 2020, https://history.howstuffworks.com/history-vs-myth/haint-blue.htm. 

Newland, Judy. “Sea Island Indigo: Creating an American Indigo Culture.” ClothRoads: A Global Textile Market, 2018, https://i0.wp.com/assets-clothroads-com.s3.amazonaws.com/uploads/2016/02/Indigo-dyed-yarn.jpg?ssl=1. Accessed 19 Oct. 2022.

Parks, Shoshi. “What the Color ‘Haint Blue’ Means to the Descendants of Enslaved Africans in the Lowcountry.” Atlas Obscura, 14 Jan. 2020, https://www.atlasobscura.com/articles/what-haint-blue-means-to-descendants-enslaved-africans. 

“The Boo Hags of Gullah Culture.” Scares and Haunts of Charleston, 22 Apr. 2012, https://scaresandhauntsofcharleston.wordpress.com/2012/04/22/the-boo-hags-of-gullah-culture/. 

Troup, James. “The Terrifying Skinless Witches of the American Southeast.” YouTube, uploaded by BuzzFeed Unsolved Network, 24 Feb. 2022, https://www.youtube.com/watch?v=0Klc8UMyvD4. Accessed 20 Oct. 2022.

Links for further research: 

“The Boo Hag: Georgia Witch Story.” The Moonlit Road, https://www.themoonlitroad.com/the-boo-hag/ This website by Veronica Byrd and Craig Dominey tells a story, both in written and audio form, about a man who accidently married a Boo Hag.  

“Boo Hags.” South, https://www.southmag.com/boo-hags/ This article by Sloane Frederick, a writer on Southern culture and cuisine, provides information from an interview with Lisa Prentiss regarding Boo Hags and other paranormal activity in Savannah, Georgia.  

“Gullah Culture: Gullah in Beaufort, Port Royal & the Sea Islands.” Visit Beaufort: Port Royal and Sea Islands, https://www.beaufortsc.org/things-to-do/gullah-culture/  This article provides information regarding the history and heritage of the Gullah people in South Carolina, from the slave trade to the present day.

What Hoodoo Really Is

Manny Dejesus

Picture of 7 colorful Voodoo dolls on display.

Crazy dancing, hexes, curses, abductions, oils and Voodoo dolls. All the necessities to create "Voodoo" we have heard so much about. Hoodoo  can be called a religion, healing tradition, an art form, or even magic (Chireau). Hoodoo does not have to have one title but can actually be all sorts of things in one. Hoodoo has been going on for Centuries and has been a practice that started in Africa and was brought to the Americas by slaves, and the knowledge was intertwined with that of the Native Americans and Jews (Yronwode). The “religion” made its way to the United States and is practiced primarily in the southern half of the states like New Orleans. Hoodoo in itself is used in many different ways, in fact it can be used as a verb, noun and adjective. Different researchers say different things but Yvonne Chireau Ph.D. a professor from Swarthmore College that studies African American religions says it best, “Hoodoo African based tradition that makes use of the natural and supernatural to make change in the human experience”. What Chireau is saying is that Hoodoo by itself is not evil nor is it good but just a neutral practice that can change human experience for the better or for the worst.

So What is Hoodoo exactly?
Hoodoo is a spiritual practice but is actually a very general term that can include anything and everything from love spells to protection magic (Yronwode).  Catherine Yronwode is a Folk magic practitioner who wrote, different words pertaining to Hoodoo such as witchcraft had different meanings. Yronwode goes on to explain that witchcraft is basically saying it’s the evil form of Hoodoo meant to curse somebody and while Hoodoo is meant to boost your luck and increase your happiness. What makes Hoodoo different from other “religions” is that it does not have a central power and “places emphasis on personal magical power, there are no priests or priestesses”.

Sculpture of Grandma Hoodoo.

Works Cited:
7 Colorful Voodoo Dolls. 1997. Voodoo Authentica, New Orleans. Voodoo.com. Voodoo Authentica. Web. 21 Oct. 2015.

Chireau, Yvonne. "What is Hoodoo." Academichoodoo.com. N.p., n.d. Web. 7 October 2015.

Kuebler, Thomas. Grandma Hoodoo. N.D. Sculptor of the Bizarre. Tskuebler.com. Web. 21 Oct. 2015.

Yronwode, Catherine. "African American Folk Magic." Luckymojo.com. N.p. n.d. Web. 7 October 2015.